1971 do\u011fumlu sanat\u00e7\u0131 T\u00fcrkiye\u2019de b\u00fcy\u00fcm\u00fc\u015f, 1990\u20131995 y\u0131llar\u0131 aras\u0131nda Dokuz Eyl\u00fcl \u00dcniversitesi G\u00fczel Sanatlar Akademisi\u2019nde e\u011fitim alm\u0131\u015ft\u0131r. \u00dcniversitedeki bitirme tezini, Orta\u00e7a\u011f dinsel tiyatrosunun temel anlat\u0131 bi\u00e7imlerinden biri olan Everyman morality play gelene\u011fi \u00fczerine haz\u0131rlayan Rhys, bu erken d\u00f6nemde insan\u0131n g\u00fcnah, \u00f6l\u00fcm ve ahlaki hesapla\u015fma kar\u015f\u0131s\u0131ndaki konumunu merkeze alan d\u00fc\u015f\u00fcnsel yap\u0131larla ilgilenmi\u015ftir. Everyman gelene\u011finde birey, istisnai bir kahraman olarak de\u011fil; herkesin yerine ge\u00e7en anonim bir fig\u00fcr olarak ele al\u0131n\u0131r. Anlat\u0131, ki\u015fisel psikolojiden \u00e7ok evrensel bir vicdan sahnesi kurar ve izleyiciyi empatiye de\u011fil, tan\u0131kl\u0131\u011fa \u00e7a\u011f\u0131r\u0131r. Bu yakla\u015f\u0131m, Rhys\u2019in bug\u00fcn resimlerinde kurdu\u011fu etik mesafenin ve izleyiciyi \u201cseyirci\u201d de\u011fil \u201ctan\u0131k\u201d konumuna yerle\u015ftiren tavr\u0131n erken bir d\u00fc\u015f\u00fcnsel temelini olu\u015fturur.<\/p>\n
Akademi sonras\u0131 \u0130stanbul\u2019da ge\u00e7irdi\u011fi y\u0131llarda sinema sanat y\u00f6netmenli\u011fi, tekstil, grafik ve yemek tasar\u0131m\u0131 gibi farkl\u0131 alanlarda \u00fcretimlerde bulunan Rhys, bu s\u00fcre\u00e7te formu yaln\u0131zca estetik bir sonu\u00e7 olarak de\u011fil; anlam, d\u00fczen ve hiyerar\u015fi \u00fcreten bir yap\u0131 olarak farkl\u0131 mecralarda s\u0131nam\u0131\u015ft\u0131r. Kurdu\u011fu artizan porselen markas\u0131 arac\u0131l\u0131\u011f\u0131yla nesne, kullan\u0131m ve rit\u00fcel aras\u0131ndaki ili\u015fkiyi ara\u015ft\u0131rm\u0131\u015f; sahne, beden ve y\u00fczey aras\u0131ndaki ba\u011fa dair sezgilerini disiplinler aras\u0131 bir alanda geli\u015ftirmi\u015ftir.<\/p>\n
Bu \u00e7ok katmanl\u0131 \u00fcretim ge\u00e7mi\u015fi, Rhys\u2019in bug\u00fcnk\u00fc resim prati\u011finde estetik olarak \u201ctamamlanm\u0131\u015f\u201d formlar \u00fcretme arzusuna de\u011fil; bedeni bilin\u00e7li olarak bozma ve yeniden kurma ihtiyac\u0131na d\u00f6n\u00fc\u015f\u00fcr. Fig\u00fcr\u00fcn anatomisi par\u00e7alan\u0131r, \u00e7arp\u0131t\u0131l\u0131r ve klasik temsil d\u00fczeninden kopar\u0131l\u0131r. Ancak bu bozulma bir y\u0131k\u0131m de\u011fil; tersine, yeni bir anatominin in\u015fas\u0131d\u0131r. Rhys, bedeni yeniden kurarak g\u00fcnah, kefaret, ac\u0131 ve haz gibi kar\u015f\u0131t kavramlar\u0131n ayn\u0131 y\u00fczeyde \u00e7arp\u0131\u015fabilece\u011fi bir alan yarat\u0131r.<\/p>\n
Fig\u00fcr, anlat\u0131 ta\u015f\u0131yan bir karakter olmaktan \u00e7\u0131kar; anonimle\u015fir, sadele\u015fir ve evrensel bir duruma indirgenir. Erken d\u00f6neminde Everyman gelene\u011fi \u00fczerinden d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fc g\u00fcnah, \u00f6l\u00fcm ve hesapla\u015fma temalar\u0131, bug\u00fcn beden \u00fczerinden kurulan sessiz, zamans\u0131z ve sahnesiz bir y\u00fczle\u015fme alan\u0131 olarak yeniden ortaya \u00e7\u0131kar. \u0130zleyici, bu y\u00fczle\u015fmede duygusal olarak y\u00f6nlendirilmez; a\u00e7\u0131klama beklenmez. Beden, t\u00fcm a\u011f\u0131rl\u0131\u011f\u0131yla orada durur ve tan\u0131kl\u0131k talep eder.<\/p>","protected":false},"excerpt":{"rendered":"
Born in 1971, the artist grew up in T\u00fcrkiye and studied at the Fine Arts Academy of Dokuz Eyl\u00fcl University<\/p>","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-29150","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/rhysbener.com\/tr\/wp-json\/wp\/v2\/pages\/29150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rhysbener.com\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/rhysbener.com\/tr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/rhysbener.com\/tr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/rhysbener.com\/tr\/wp-json\/wp\/v2\/comments?post=29150"}],"version-history":[{"count":12,"href":"https:\/\/rhysbener.com\/tr\/wp-json\/wp\/v2\/pages\/29150\/revisions"}],"predecessor-version":[{"id":29231,"href":"https:\/\/rhysbener.com\/tr\/wp-json\/wp\/v2\/pages\/29150\/revisions\/29231"}],"wp:attachment":[{"href":"https:\/\/rhysbener.com\/tr\/wp-json\/wp\/v2\/media?parent=29150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}